Rise against the sufferer and the witness zip musicfire
The band members are well known for their outspoken social commentary, which often permeates their lyrics.
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With the release of Appeal to Reason, the band's music shifted toward a more accessible and radio-friendly sound, with greater emphasis on production value. Rise Against's music was initially characterized by its gritty combination of hardcore punk and melodic hardcore. Rise Against's eighth album, Wolves, was released in 2017. Rise Against's popularity continued to grow when they switched labels once again to DGC and Interscope Records, and the next three albums- Appeal to Reason (2008), Endgame (2011), and The Black Market (2014)-charted highly worldwide. Both albums charted on the Billboard 200, with the latter peaking at number ten. Afterwards, the band signed with Geffen Records, and made its major record label debut with Siren Song of the Counter Culture (2004), followed by The Sufferer & the Witness (2006). Under this label, they released The Unraveling (2001) and Revolutions per Minute (2003), which helped to establish an early fanbase. Rise Against was formed in 1999, and signed a recording contract with the independent record label Fat Wreck Chords the following year. So even with the occasional letdown, there's a lot to be said for Rise Against pulling everything off with as much substance and strength as they do the whole way through.The American rock band Rise Against has recorded 142 songs, which include 129 original songs and 13 covers. Essentially, The Sufferer & the Witness showcases Rise Against maturing within the realms of major-label hardcore revivalism, while still remaining relevant and exciting. The excellent "Prayer of the Refugee" jarringly alternates between plaintive guitars and weary singing to an empowered chorus and exploding rhythm section to affectingly address the plight of displaced families of war the frustrated disconnect distressing a troubled relationship is represented surprisingly well in "The Approaching Curve," with its driving use of spoken word and complementary female backing vocals. This record is basically one shout-along, mosh-worthy song after another, though the guys do throw in some interesting moments outside of continual rushes of pure adrenaline. "Injection" and "Ready to Fall" bring things back into invigorating Rise Against territory early on, while "Bricks" stands out as a vicious blast of old-school hardcore energy and power. This later happens again in songs like "Under the Knife" and the ferocious-yet-still-slightly-missing "Worth Dying For," but moments like these are, in truth, more the exception than the rule. However, "Chamber the Cartridge" doesn't quite open the record with the same acidic bite as past lead tracks, as the chorus is lacking something in its delivery to really hit a nerve. As such, Rise Against continue to muscularly confront political and personal grievances to the tune of swirling guitars, assertive rhythms, and Tim McIlrath's sandpapered vocals. With producers Bill Stevenson and Jason Livermore manning the controls this time around, the band's inner grit is aptly drawn out amid all the pit-ready choruses and fist-in-the-air, stirring lyrics. After all, the band's sincerity and passion emerge very much intact - their socially conscious approach no less pressing - and new and old fans alike should take to Sufferer with open arms.
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Their melodic hardcore may still sound more mainstream accessible, but this can hardly be looked at as a bad thing. The Sufferer & the Witness finds Rise Against continuing on the path begun on 2004's well-received Siren Song of the Counter Culture.